Redtwist Theatre’s current production of this American classic, directed by Steve Scott, is a modestly staged and decently acted rendition though the production sustains more energy and enthusiasm than grounded passion, Miller’s superb script largely redeems its shortcomings.ĭeath of a Salesman so permeates our American subconscious, it hardly needs any introduction. The confrontation between illusion and reality is a noticeable theme in 20 th century American drama ( The Iceman Cometh, The Glass Menagerie), and among its best examples is Arthur Miller’s 1949 Pulitzer and Tony Award-winning tragedy Death of a Salesman.
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